By Leeds Music Corporation
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Extra resources for 40 More Hits of Our Times, Book 2
I called my aunt first, who is like my second know the psychology of dealing with people. It’s not mother, to tell her about it. She said, “It can’t hurt to just being friendly; it’s knowing how to read a person, ask, if that’s what you want to do with the rest of your read the artist, see what they respond to, and what life and you have the opportunity to at least be in they don’t respond to. ” exactly the same. I can’t talk with Eminem, the same So back then what was the balance like, way I can talk with Jay-Z.
To sit there and listen to a four-minute When I first made the transition back to computers, I song, pick out one bar or two bars, and realize that started with Pro Tools. I’ve used Pro Tools for audio those two bars can be the basis of a whole new song. since the ‘90s, and it was cool. But, whereas Pro Tools There is genius in that. Or, in the case of what I do, was an audio editing program that they adapted for sometimes I’ll take a four-minute song and find 20 or MIDI, Logic was production software that 30 different parts in that song and create a whole new incorporated audio into it.
Cajmere’s] “Coffee Pot (It’s Time for the Percolator),” Not just placements? as well as a bunch of other house records, and the Yeah – full-on soundtracks, scores, sound design; all of that. ” It’s DJ’ing not the first time this has happened. Hip hop and electronic music, or dance music, have always existed I’ve been back on the road DJ’ing since 2003. In 2003 I got a call to do a couple shows in Japan. I hadn’t DJ’d in in that same world, in one way or another. Do you go all out when you do that kind years.
40 More Hits of Our Times, Book 2 by Leeds Music Corporation