Download PDF by David Jackson: A History of Tibetan Painting

By David Jackson

ISBN-10: 3700122241

ISBN-13: 9783700122241

The current booklet is a primary try at exploring the sacred portray traditions of Tibet from the mid-15th via twentieth centuries at the foundation of either the surviving pictorial continues to be and the broad written resources that continue to exist within the Tibetan language. The learn of this era of Tibetan artwork heritage has in impression been missed in recent times in prefer of the earliest sessions. but the majority of extant masterpieces of Tibetan Buddhist portray belong to this more moderen interval, and the appropriate written and pictorial assets now on hand, although they've got by no means been absolutely applied formerly, are in reality fairly wealthy. the current examine makes an attempt within the first position to spot the good founders of the most colleges of Tibetan portray and to find references to their surviving works of sacred paintings. via recourse to the artists personal writings, if on hand, to the biographies in their major buyers, and to different contemporaneous or approximately contemporaneous resources, it's been attainable to explain the various conditions of the careers of such recognized Tibetan painters as sMan-bla-don-grub, mKhyen-brtse-chen-mo and Nam-mkha-bkra-shis, who have been the founders of the sMan-ris, mKhyen-ris and Karma sgar-bris traditions, respectively. For the ease of scholars and researchers, the publication features a survey of the most to be had Tibetan resources and reports, either conventional and sleek, in addition to an in depth precis of earlier Western study in this topic. It additionally offers the texts and translations of an important passages from the most conventional resources. This richly illustrated quantity additionally comprises specified indices, and it'll be an quintessential consultant and reference paintings for somebody drawn to Tibetan artwork.

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20 See also the inscription to P21, p. ] and rDzong-kha bKra-shis, though the first rwo characters of the relevant lines are illegible. 21 The finding of a great turning point in Tibetan religious art history in the assimilation of Chinese styles · concomitant with the gaining of political supremacy by the Dalai Lamas was originally postulated by G. Tucci (1949), vol. 1, p. " See also Macdonald and Vergati Stahl (1979), p. 33. For another sketch of the origins of Tibetan Buddhist art by one of the co-authors, see Marylin M.

In the body of volume one, which is the volume containing the plates (Tafelband), the coauthors Essen and Thingo make some valuable attributions to specific painters, sometimes on good modern authority, though in each case without any further written documentation. A smokedarkened Green Tara (vol. 1, p. 88, pl. 49), for example, was said by the late 16th Karma-pa to have probably been the work of Si-tu Pal)-chen Chos-kyi-'byung-gnas. 35 A painting on goldcolored silk with Padmasambhava as the main figure (vol.

Beguin ed. (1977) Dieux et demons d'Himalaya: Art du Bouddhisme lamaique, p. 60; (2) C. Copeland (1980), Tankas from the Koelz Collection, Michigan Papers on South and Southeast Asia, no. 18, pp. 1719; (3) NgawangSamten (1986),Mafijufrl:AnExhibition of Rare Thankas, p. 12; and (4) R. A. taine, p. 200. Studies I have not yet seen include J. C. French (1943), 'Tibetan Art," Indian Art and Letters, no. 17, pp. 92-96; and N. G. Ronge (1982), "Kunst und Stil in Tibet," in C. C. Muller and W. , Der Weg zum Dach der Welt (Innsbruck), pp.

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A History of Tibetan Painting by David Jackson


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