By Don DeLillo
Wealthy, handsome and empty within, 28-year-old ads govt David Bell looks at the floor to have every little thing. yet he's a guy close to wasting his sanity. Trapped in a big apple workplace with soulless sycophants as his basically corporation, he makes an abrupt determination to depart manhattan for America's mid-west. His plan: to movie the small-town lives of normal humans and speak to the genuine center of his native land. yet as Bell places his motion pictures jointly in his resort room, he grows more and more confident that there's no middle to discover. sleek the United States has turn into a land that has reached the top of its reel...
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Additional resources for Americana
The examination of the rise of administrative research provides the springboard for the following three chapters, which take as case studies those forms of aesthetic transmission that Adorno felt “above all” constituted the Americanization of the arts in the wake of fascism: radio, motion pictures, and literature. Adorno’s writings on each of these means of mass communication paint a picture of the arts as increasingly turning their backs on a notion of the free-willed creative individual in favor of a heavily administered network of consumption and control under the guise of a supposedly democratic popular entertainment.
His output— consisting of the long “Memorandum” (161 pages); a study of an NBC musical-education program, “Analytical Study of NBC’s Music Appreciation Hour”; and the massive book Current of Music—went unpublished. The projected PRRP book on music in radio was reduced to one essay printed in Radio Research, 1941 (“The Radio Symphony”), and only two other articles, “A Social Critique of Radio Music” (published in Kenyon Review) and “On Popular Music” (written with George Simpson), the essay that immediately follows Lazarsfeld’s own in volume 9 of Studies in Philosophy and Social Science, saw print while Adorno was in the United States.
When put in the hands of radio networks, movie studios, and television stations, this type of research lends itself to the dehumanization of audiences and the reduction of artworks to their streamlined, surface elements. The examination of the rise of administrative research provides the springboard for the following three chapters, which take as case studies those forms of aesthetic transmission that Adorno felt “above all” constituted the Americanization of the arts in the wake of fascism: radio, motion pictures, and literature.
Americana by Don DeLillo